WORDS

WORDS

Devin Agar

Devin Agar

pHOTOS

pHOTOS

Midjourney + SDXL

Midjourney + SDXL

dATE

dATE

18th November 2025

18th November 2025

Intro to AI

My first real experience with generative AI images came last year when I took a four-week course that focused on different creative workflows. We started learning how to prompt across various LLMs at a high level using specific language to guide the systems before any images were even generated. That part alone shifted how I think about intent and direction with how much clarity upfront can shape the final result. It felt less like “typing commands” and more like learning a new creative language.

"A modernist chair and ottoman sitting in the living room of a mid-century Eichler style home, mid-day with rays of natural lighting coming through the windows. Potted cactus's on floor indoors near the chair with contemporary inspired art on the walls."

I spent a lot of time experimenting in Midjourney, especially with character and style references. The header image and prompt quoted above is a good example of that workflow: I generated a mid-century modern living room in a desert setting, using an Eames chair as the character reference for the AI to integrate into the scene. The second image in this entry below shows a different approach—taking a simple sketch or line drawing and bringing it to life through SDXL ControlNet. Watching a drawing I made turn into a fully realized image with the right prompt and a single click was honestly wild to witness.

These tools are getting more advanced at a rapid pace, with high-quality animation now entering the mix. Companies like Nike and others are already hiring AI specialists within their creative departments, as these systems can now support commercial-level campaigns at a fraction of the traditional cost. Like a lot of designers, I’ve felt some hesitation around adopting these once-futuristic (now very current) tools. But it’s becoming more true that learning how to work with them—rather than avoiding them—is essential. I’m taking it one day at a time, trying to stay curious and have fun with what’s possible, instead of staying locked inside my usual Adobe comfort zone.

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